A life of promise is disrupted when Raul falls ill and Lydia, finding employment as a domestic, becomes the head of the family. Striving to educate her town children, Rico and Alicia, in the style of the upper class, she must endure a lesson in humanity, cleaning the homes of New Yorkers much better off than herself. Among her employers is Mr. Osprey, a reserved and kindly lawyer, who eventuality takes an interest in her family's well-being and, during the turmoil of the 1960s, intervenes at a critical juncture in the life of her teenage son, Rico. Throughout this novel Lydia remains a sensual and powerful woman who meets the trails of a lonely life with humor and a gleam of triumph in her eye--a sense that she is someone special--an empress of fortitude, of dignity.
Hijuelo's genius for evoking the heart and soul of his characters has never been more vivid, moving, and impassioned than in Empress of the Splendid Season. A master of eloquent detail, Hijuelos allows Lydia to open up, alive and vibrant on the page. No one writes better of love or the pulse of the city. And no one has better captured the complexity of what happens to generations of people who come to America: how assimilation ius at once the achievement of dreams and yet, sometimes, a loss of what has rooted us to the past.
Lydia, I am to you, as a sparrow adoring the sky;Lydia, you are as the moon reflecting upon the water,
which is my soul;
Lydia, you are the queen of beauty,
the Empress of my love,
and you preside over the splendidness of my feelings for you,
like the morning sun on the most glorious day
of the most beautiful and splendid season,
which is love...
-- Raul Espana to his future wife on the night he proposed marriage, 1949, from Empress of the Splendid Season
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Where is Lydia banished to? New York, of course. And in this most indifferent of cities, the former "queen of the Congo line" finds herself in a less exalted role: that of a cleaning woman. This demotion she accepts with a very credible mixture of resignation and rock-ribbed realism: "The hardest part of being a cleaning woman had to do with the way people looked at her; often as if she were 'nothing.' It hurt her most when men did not notice her. The nature of the work itself, the outfit, the end-of-the-day fatigue, the messiness of that labor were not glamorous, so what could she expect." Lydia is less sanguine about her family's difficulties, from her husband Raul's near-fatal heart attack to her son's brushes with the law. Empress of the Splendid Season is in fact an ensemble piece that passes the point of view from character to character, from generation to generation. But it's Lydia's sensibility--at once stoic and sensuous--that ultimately enlivens this latest take on the American (or perhaps Cuban American) Dream. --William Davies
Oscar Hijuelos was born of Cuban parentage in New York City in 1951. He is a recipient of the Rome Prize, the Pulitzer Prize, and grants from the National Endowment for the Arts and the Guggenheim Foundation, among others. His five previous novels have been translated into twenty-five languages.
Oscar Hijuelos nació de padres cubanos en Nueva York en 1951. Sus otras novelas incluyen Mr. Ives' Christmas, The Fourteen Sisters of Emilio Montez O'Brien, Our House in the Last World y A Simple Havana Melody (Una Sencilla Melodía Habanera). Vive en Nueva York.
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