Already praised as “a writing powerhouse” (USA Today) and “among the select group of novelists who have invigorated the crime fiction arena with smart, innovative, and exciting work” (George Pelecanos), New York Times bestseller Laura Lippman is constantly sending reviewers back to their thesauruses in search of new and greater accolades.
Her brilliant stand-alone novel, And When She Was Good, only reinforces the fact that she stands tall among today’s bestselling elite—including Kate Atkinson, Tana French, Jodi Picoult, and Harlan Coben (who raves, “I love her books!”) Based on her acclaimed, multi-award-nominated short story "Scratch a Woman," And When She Was Good is the powerfully gripping, intensely emotional story of a suburban madam, a convicted murderer whose sentence is about to be overturned, and the child they will both do anything to keep.
Lippman has already won virtually every prize the mystery genre has to offer—the EdgarŽ, Anthony, Agatha, and Nero Wolfe Awards, to name but a few. They’ll now have to invent a few new awards just to keep up with her.
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Perennial New York Times and nationally bestselling author and acclaimed multiple–prize winner Laura Lippman delivers a brilliant novel about a woman with a secret life who is forced to make desperate choices to save her son and herself.
When Hector Lewis told his daughter that she had a nothing face, it was just another bit of tossed-off cruelty from a man who specialized in harsh words and harsher deeds. But twenty years later, Heloise considers it a blessing to be a person who knows how to avoid attention. In the comfortable suburb where she lives, she's just a mom, the youngish widow with a forgettable job who somehow never misses a soccer game or a school play. In the state capitol, she's the redheaded lobbyist with a good cause and a mediocre track record.
But in discreet hotel rooms throughout the area, she's the woman of your dreams—if you can afford her hourly fee.
For more than a decade, Heloise has believed she is safe. She has created a rigidly compartmentalized life, maintaining no real friendships, trusting few confidantes. Only now her secret life, a life she was forced to build after the legitimate world turned its back on her, is under siege. Her once oblivious accountant is asking loaded questions. Her longtime protector is hinting at new, mysterious dangers. Her employees can't be trusted. One county over, another so-called suburban madam has been found dead in her car, a suicide. Or is it?
Nothing is as it seems as Heloise faces a midlife crisis with much higher stakes than most will ever know.
And then she learns that her son's father might be released from prison, which is problematic because he doesn't know he has a son. The killer and former pimp also doesn't realize that he's serving a life sentence because Heloise betrayed him. But he's clearly beginning to suspect that Heloise has been holding something back all these years.
With no formal education, no real family, and no friends, Heloise has to remake her life—again. Disappearing will be the easy part. She's done it before and she can do it again. A new name and a new place aren't hard to come by if you know the right people. The trick will be living long enough to start a new life.
Since Laura Lippman's debut in 1997, she has been recognized as a distinctive voice in mystery fiction and named one of the "essential" crime writers of the last 100 years. Her books have won most of the major awards in her field and been translated into more than twenty languages. She lives in Baltimore and New Orleans with her family.
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