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Carter certainly wears her convictions on her sleeve; in the 1984 essay "An Omelette and a Glass of Wine and Other Dishes" she decries the "widespread and unashamed cult of conspicuous gluttony" that has sprouted up among yuppie "foodies" in England--people for whom "food is a cornerstone of this hysterical new snobbery." After describing an article in a gourmet magazine that subtly threatens dire consequences for the ignorant host who cannot tell a factory-made brie from a farm-made one, she observes dryly: "This mincing and finicking obsession with food opens whole new areas of potential social shame. No wonder the British find it irresistible." She brings the same laserlike analysis to her 1975 discussion of women's cosmetics, "The Wound in the Face": "[Manufacturers] do not understand their own imagery, any more than the consumer who demonstrates it does. I'm still working on the nature of the imagery of cosmetics. I think it scares me."
Whether she's discussing feminism, her own life history, travel to far-flung corners of the world, or the work of other writers such as Grace Paley or F. Scott Fitzgerald, Angela Carter does so with both precision, intelligence, great wit, and occasional flashes of lyricism. Consider this meditation on the London zoo: "When darkness falls and the crowds are gone and the beasts inherit Regent's Park, I should think the mandrills sometimes say to one another: 'Well, taking all things into consideration, how much better off we are here than in the wild! Nice food, regular meals, no predators, no snakes, free medical care, roofs over our heads... and, after all this time, we couldn't really cope with the wild again, could we?' So they console themselves, perhaps. And, perhaps, weep." And so readers may console themselves with this fine collection of essays. Something to remember Angela Carter by. --Alix Wilber
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Book Description Softcover. Condition: New. Later prt. "An electrifying intellectual autobiography, with all the narrative expanse, drama, outrage, and high comedy of the authors fiction. Angela Carter is revealed here, anew, as one of the most important thinkers of twentieth-century world literature-and one of its most pungent voices.-Rick MoodyOne of contemporary literatures most original and affecting fiction writers, Angela Carter also wrote brilliant nonfiction. Shaking a Leg comprises the best of her essays and criticism, much of it collected for the first time. Carters acute observations are spiked with her piercing matter-of-factness, her devastating wit, her penchant for mockery, and her passion for the absurd. Whether discussing films or food, feminism or fantasy, science fiction or sex, Carter consistently explores new territories and overturns old ideas. No cultural icon escapes her scrutiny; as in her fiction, Carter offers glorious evidence of the transforming power of the imagination. From delightfully wicked commentaries on Gone with the Wind, a Japanese fertility festival, and fellow writers, including Lawrence, Lovecraft, Borges, and Burroughs, to enchanting personal essays, Carter shares her thoughts and herself with glee.What a wonderful collection-sharp, funny, too decent for sarcasm but great wit and humanity, an unusual combination. But it makes us miss her, miss laughing with her, that real, intelligent, tough writing woman.-Grace Paley. Seller Inventory # DADAX0140276955