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Philosophy at 33 1/3 rpm: Themes of Classic Rock Music - Softcover

 
9780812692419: Philosophy at 33 1/3 rpm: Themes of Classic Rock Music
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True friendship, true community, social and sexual alienation, the death of God, the importance of the present momnet, individual autonomy, the corruption of the state, revolution, the end of the present age -- such are the intellectual themes of classic rock.

Sixties rock music left behind the harmless bubblegum and surfing ditties of the 1950s to become a vehicle for the thoughtful commentary upon the human condition. Theories and motifs from philosophy, theology, and literature were reshaped, refracted, and transfigured in this intelligent new popular art form.
Classic rock, argues James harris, should be taken as seriously as the loftiest creations of art and literature. In 'Philosophy at 33 1/3 rpm,' he lays the groundwork for an informed appreciation by exhibiting philosophical themes in the finest rock songs.

Professor Harris's examples encompass all the major rock artists of the classic period (1962-1974), including Paul Simon, Elton John, Pink Floyd, The Grateful Dead, Bob Dylan, The Moody Blues, The Rolling Stones, The Beatles, The Kinks, Cat Stevens, Crosby, Stills, Nash, and Young, The Who, Jefferson Airplane, and Joni Mitchell.

His analyses draw upon the ideas of Aristotle, Bonhoeffer, Camus, Descartes, Freud, Kant, Laing, Marcuse, Marx, Nietzche, Nozick, Rousseau, Sartre, Thoroeau, and Tillich, as well as the Bible and other scriptures, to situate the preoccupations of the classic rock lyricists in the Western intellectual tradition.

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From Library Journal:
Harris attempts to explain the philosophical meanings of rock lyrics, trying in the process to legitimize rock and rock writing. Dismissing Fifties rock lyrics as meaningless, he concentrates on Sixties rock songs, focusing on such themes as alienation, friendship, community, hedonism, self-assertion, judgment, and redemption. Harris connects these "big ideological issues" of rock to such philosophers as Aristotle, Freud, Rousseau, and Camus. Though undoubtedly highlighting some important aspects of Sixties rock, he never explains the direct link between rock and the classic philosophers, fails to detail the uniqueness of the themes he isolates, and combines all post-1950s rock into one undifferentiated lump. The result is an overly generalized and overly intellectualized study of rock that misses the emotionalism of the music. Not recommended.
- David Szatmary, Univ. of Washington, Seattle
Copyright 1994 Reed Business Information, Inc.

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  • PublisherOpen Court
  • Publication date1999
  • ISBN 10 0812692411
  • ISBN 13 9780812692419
  • BindingPaperback
  • Number of pages280
  • Rating

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9780812692402: Philosophy at 33 1/3 Rpm: Themes of Classic Rock Music

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ISBN 10:  0812692403 ISBN 13:  9780812692402
Publisher: Open Court Pub Co, 1993
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Published by Open Court (1999)
ISBN 10: 0812692411 ISBN 13: 9780812692419
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